Bagi Encik Remi M Sali dari Studio 59 Concepts, meskipun sudah berkecimpung dalam industri ini selama 20 tahun, beliau berkongsi beberapa cabaran yang dihadapi para pembuat filem di sini. Antaranya adalah untuk meningkatkan lagi jumlah penonton melalui tayangan aliran utama. Filem terbaru Encik Remi misalnya, ditonton oleh para penduduk di Brunei melalui tayangan terhad dan di sini pula, hanya boleh ditayangkan secara privet. Ini meskipun filem 'Konpaku' arahannya itu dicalonkan bagi Pesta Filem Timur Jauh di Itali baru-baru ini. "Saya rasa lebih banyak sokongan yang perlu daripada syarikat pengedar sebabnya tidak banyak pihak pengedar yang minat mempromosikan filem Melayu kita. Sebabnya ia boleh dikatakan menjejaskan keuntungan. Mereka kata 'Filem Melayu, siapa yang akan tonton? Boleh dimainkan untuk masyarakat Melayu saja? Bagaimana cara pemasarannya?'."
Konpaku interview: director Remi M Sali and producer Pak Kin Ho
Joyce Siu, easternkicks.com
15 May 2019
Low-budget horror explores the contradictions of religion and sex from the perspective of a Muslim-Malay … In director Remi M Sali’s film Haqim (Junaidi M Sali), the awkward Muslim-Malay main character meets the seductive Midori (Lizzie V), also a Japanese succubus spirit, and he is consumed by their ensuing relationship. Midori takes control of Haqim and puts his family and friends in danger. Eventually, Haqim’s mother resolves to exorcism to save her son.
I heard that the idea for the movie is based on a real experience, can you elaborate on that? (Remi, director): Yes it is an experience which me and my family had, a relative of us got possessed. The exorcism totally blew my mind. I needed to capture some of those moments on screen, as that is the best way I have to express myself.
Truth is always stranger than fiction and Remi M Sali’s Konpaku is thrilling in its bid to get you frighteningly close to the social reality of being Malay in $ingapore. Not only that, Konpaku refuses the established genre of the Malay pontianak (female vampire) films that have permeated our horrified dreams since 1957. Instead, the film brings you to millennial $ingapore where history isn’t baggage but only a state-sponsored enterprise. Here, young Malays enter the global village and fall in love. And it’s just your luck if you end up with a foreign ghost.
Udine Far East Film Festival Confirms Lineup for 21st Edition
Hayley Scanlon, Windows on Worlds
11 Apr 2019
The Udine Far East Film Festival returns for its 21st edition on April 26! As usual, the festival has brought together some of the most highly anticipated East Asian cinema releases with 76 films included in this year’s programme including a retrospective strand dedicated to classic Korean cinema and sidebar on Korean indie comedy. This year’s guests of honour are veteran Hong Kong star Anthony Wong who will be receiving the festival’s Golden Mulberry Award, and Chinese superstar Yao Chen. .......... Singapore: Konpaku – A young man upset after his girlfriend leaves him ends up in a relationship with the sensuous Midori but is disturbed when strange things start happening to those close to him.
The film is a rare example of modern Singapore Malay cinema in two other ways. One is the liberal use of everyday spoken Malay, which is considered coarse and uncouth. Perhaps for this and the raunchy scenes, the censors rated Konpaku NC16 (No Children under 16). The other is the obsessive (and honestly quite hilarious) dialogue when Haqim keeps trying to persuade Midori to convert to Islam to sanction their marriage. To get married, all Midori needs to do is embrace Islam by pretence, not by practice. Even when Haqim is delirious, he never loses sight that she must convert. This obsessive emphasis anchors the film in the ordinary world of Singapore Malays. (Oh well, anything for a succulent Japanese succubus I suppose.)
Most intriguing of all is Konpaku (Soul) by Remi M Sali, a young filmmaker who began with short films in 1995 (after Sandi Tan). Still with his filmmaking partner, Dzulkifli Sungit, a cinematographer, Sali’s film is an in-your-face politically incorrect film about the Malay minority in Singapore. Based on a real-life Islamic exorcism, the film is a love story between a man and a female spirit. You can call it an update of the Pontianak (female vampire) films from the 1950s, as Konpaku engages the social phenomenon of mixed-race marriages today. In this case, the female spirit happens to be Japanese, and she happens to be a very raunchy spirit (and if you ever wanted to know, iku iku in Japanese means “I’m coming”). Unlike other Singapore horror films, Konpaku wears its cultural badge proudly. Can you imagine that much of the dialogue is a debate with the ghost about marriage and the necessity for Islamic conversion?
FOOISM: Looking Back – The Singapore Film Scene in 2018
Juan Foo, Sinema
2 Jan 2019
Something that went under the radar of festival films and fanfare is a film called Konpaku – directed by filmmaker Remi Sali. Writer-director Remi, to those who know, should also be considered a returning pioneer, for he directed a feature screen adaptation of The Necessary Stage play Off Centre way back in the 1990s. Konpaku or ‘soul’ in Japanese is a modern heartland creep on spiritual harassment and is market ready for a new cinema run in 2019.
'AKSI!' uji kebolehan pelajar S'pura, Brunei dalam penerbitan filem
26 Oct 2018
Segala penat lelah dan juga proses di sebalik menghasilkan filem akan dipaparkan dalam program realiti terbaru 'AKSI!' terbitan saluran televisyen Suria dari Singapura dan Radio Televisyen Brunei (RTB). .............................. Mujur, para peserta turut menerima bimbingan khas daripada tiga mentor berpengalaman iaitu Remi M Sali dan Raihan Halim dari Singapura serta Harlif Mohamad dari Brunei.
A joint collaboration between RTB and Mediacorp Singapore, AKSI involves youth aged 17-24 from both countries, in the production of creative short videos in various genres. .............................. The Red Team comprises Haji Md Afiq bin Haji Ghani from Brunei as producer, Wan Murni Wan Iskandar from Singapore as director, Md Zulkifli bin Md Salleh as scriptwriter and Remi M Sali as their mentor.
Strengthening Brunei-Singapore Relations Through A New Joint Production, AKSI! (or Action!)
Ministry of Communications & Information
7 Sep 2018
Brunei and Singapore continue to strengthen media cooperation through a new joint production, AKSI! (or Action!), between broadcasters Mediacorp and Radio Televisyen Brunei (RTB). AKSI! engages high school and tertiary students from both countries in the creative challenge of video making. .............................. The Singapore mentors and jury members involved in AKSI! include M Raihan Halim, Remi M Sali, Sanif Olek and Eric Ong.
Saya amat gumbira apabila Ole-ole Temasya kembali buat musim kedua! Saya mengikuti Mastura Ahmad dan Seri Wahyuni Jaes di Instagram dan kerap melihat gambar-gambar percutian mereka! Saya benar-benar tidak sabar ingin menonton Ole-ole Temasya 2! .............................. Saya amat suka rancangan ini kerana ia mengajak penonton melihat pesta ataupun sambutan yang luar biasa di luar negara. Pada masa yang sama, Mastura dan Seri juga memberitahu kita informasi yang relevan dan padat. Bukan itu sahaja, mereka tidak memerlukan dua abang sado (aka sex appeal) untuk naikkan jumlah tontonan kerana mereka tahu mereka tidak perlu pertolongan! Secara peribadi, rancangan ini tops semua siri Zoom combined.